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Spring 2008

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Gado signs one of his cartoons on display at the “Cartooning for Peace” exhibition at the Schatten Gallery from October 2007 to February 2008. Photo by Alma Freeman

Pushing the Boundaries:
A Kenyan Cartoonist Explores a Nation in Conflict

By Alma Freeman

News of Kenya’s disputed presidential elections in December 2007, which resulted in more than 1,000 people killed and 300,000 displaced, filled newspapers and television screens across the globe. As East and Central Africa’s most syndicated cartoonist, Godfrey Mwampembwa (Gado) faced a unique challenge of negotiating the complexities of the conflict through cartoons.

“Editorial cartooning is a confrontational art, so a cartoonist is always in conflict with either the authorities or the society at large,” said Gado during the public lecture “Cartooning in Conflict: Can Cartoons Help Bring Peace to the Political Crisis in Kenya” in February.

Sponsored by The Halle Institute, Gado’s visit was a continuation of the “Cartooning for Peace” forum held at Emory in November 2007. The week-long event featured 10 acclaimed cartoonists from Algeria, France, Israel, Japan, Palestine, Turkey, and the United States for a series of public panels, class visits, and public lectures on the topics of controversy, gender, conflict, global health, and political leadership. Over 100 of their cartoons, including 17 from Gado, were on display at the Schatten Gallery. The brainchild of Le Monde’s editorial cartoonist Plantu, the inaugural event of “Cartooning for Peace” was held at the United Nations headquarters, co-sponsored by The Halle Institute, in New York in 2006.

Although he was one of the participants in that inaugural event, and has since participated in a number of other “Cartooning for Peace” forums, Gado was unable to come to Atlanta in November 2007 due to prior commitments to cover the presidential campaign in Kenya at the time. This also meant that he was unable to travel to the Netherlands in December 2007 to receive the Prince Claus Award for his “courageous cartooning, for using humour to expose aspects of social and political conflicts, and for his inspirational role in the struggle for free expression.” Instead Laetitia van den Assem, the Dutch ambassador to Kenya, honored Gado at her residence in Nairobi with a gathering of over 300 people.

Born in Tanzania, Gado works as a freelance cartoonist in Nairobi. Although his work explores a wide range of topics, from corruption and terrorism to deforestation and HIV/AIDS, his most recent cartoons offer commentary on the characters and issues surrounding the presidential elections.

During times of conflict, said Gado, it is critical that a cartoonist carefully examines the issues at hand before drawing a cartoon.

A cartoon’s potential to evoke conflict reached a pinnacle in 2006 when protests broke out over cartoons depicting the Prophet Muhammad were published in Danish newspapers. Well over 100 people were killed as a result of the conflict. Although the issue has largely quieted, threats against the offending cartoonist have reignited concerns.

“As much as a cartoonist wants to arrogantly give his opinion, it is always a situation where you really have to weigh the issues, and decide to what extent do you consider [such issues],” Gado noted. “[Cartooning] is not only a conflict of interest for me, but a conflict of my very existence.”

During his visit, Gado also visited classes hosted by Emory professors where he spoke to students about his career as an editorial cartoonist, the political situation in East Africa, censorship, corruption in leadership, drawing technique, and more.

A regular contributor to the Daily Nation (Kenya), New African (U.K.), Courier International (France), Business Day (South Africa), and Sunday Tribune (South Africa), his work has also been published in Le Monde, Washington Times, Der Standard, and Japan Times. In addition to his published work, Gado holds a free drawing workshop every Monday at his office for young, aspiring cartoonists in an effort to encourage them to pursue a trade that might otherwise be considered unattainable.

“Cartoonists can help push the boundaries in Africa,” he said. “That is one of the small benefits of being a cartoonist, you are able to portray issues, and in a small way, educate the masses and help fight for justice.”

Gado joined the Ardhi Institute in Tanzania to study architecture in 1991, but left one year later to become the editorial cartoonist and illustrator of Nation Media Group, the largest media house in East and Central Africa. Before joining Nation, Gado freelanced with the Tanzanian publications Daily News, Business Times, and The Express. Gado has also published three books: Abunuwasi, a short story comic book, Democrazy!, and The End of An Error, and the Beginning of a New One!, both collections of his editorial cartoons.

Passing through the CNN headquarters on his way to an interview by Femi Oke for the program “Inside Africa,” Gado overheard encouraging news of a possible power sharing deal between Kenya’s President Mwai Kibaki and opposition leader Raila Odinga from overhead television monitors.

“This should be fun to draw,” Gado said with a sigh of relief, chuckling as he walked towards the studio.


Alma Freeman is the communications specialist for the Office of International Affairs and The Halle Institute.
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